Category Archives: Orchestrator

NT Live Broadcast “A Streetcar Named Desire” to cinemas worldwide

From today the Young Vic Theatre will be broadcasting their production of A Streetcar Named Desire as part of NT Live, directed by Benedict Andrews. I was composer on the production that opened in July. There will be numerous encore screenings worldwide over the coming months… for more information on screenings, visit the NT Live website here.

The production stars Gillian Anderson, Vanessa Kirby and Ben Foster, and received a host of brilliant five star reviews when it opened in July.

The soundtrack of my original jazz and orchestral score can be downloaded here. It features the brilliant talents of Mark Kavuma, Ruben Fox, Giacomo Smith and Jason Simpson.

I’ve also put up a free download from the score on my Facebook page, so feel free to go and give it a “like” and download.

[EDIT] After a lot of requests I’ve just added a tracklisting of the other songs used in the show on my blog here.

4Creative “Stand Up To Cancer” 2 min commercial

I’ve recently composed the music for this brilliant 2 min commercial for 4Creative’s latest campaign Stand Up For Cancer, a partnership between Channel 4 and Cancer Research UK. It is being rolled out to cinemas nationwide this weekend and broadcast across more than one hundred commercial channels on Sunday night (7th Sept)… and subsequently for the next month working up to a dedicated night on Channel 4 in October.

Directed by Oscar nominated Nexus directors Adam Foulkes and Alan Smith, I worked alongside music production company SIREN on the epic score featuring orchestra and dark male voice choir. Epic.

Streetcar Named Desire jazz soundtrack released

I’ve just released an album consisting of much of my score heard in A Streetcar Named Desire from the sold out Young Vic production. It can be listened to online below or downloaded from Bandcamp here.

Featuring Mark Kavuma (Trumpet), Ruben Fox (Tenor Sax), Giacomo Smith (Clarinet), Jason Simpson (Upright Bass) and myself on Piano, Mellotron, Moog and Hammond.

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The Young Vic / National Theatre have also just released the trailer for the forthcoming NT Live broadcast of Streetcar on September 16th. The music used is from my piece “Number Six Thirty-Two” (the number of Stella and Stanley’s apartment in Elysian Fields New Orleans).

Five Star reviews for “A Streetcar Named Desire” at the Young Vic which will be broadcast to cinemas for NT Live on 16th September 2014

Thrilled that the production of A Streetcar Named Desire, on which I was composer, has opened to some brilliant reviews. Directed by Benedict Andrews, and staring Gillian Anderson, the show opened this week at the Young Vic after previews last week.

Working alongside sound designer Paul Arditi, the music is a mixture of dark jazz, orchestral electronics and moog-infused Polkas (along with an eclectic soundtrack of rock music). I’ll be putting an album of the score up very shortly, which includes the brilliant talents of Mark Kavuma (trumpet), Ruben Fox (saxophone), Giacomo Smith (clarinet), Jason Simpson (upright bass) and myself on piano, hammond, moog and percussion.

It was recorded and mixed at my own studio in London. Set in the round with an almost constantly spinning revolve, reviewers have commented on the raw, visceral quality of the production. The Telegraph, Observer and the Evening Standard gave five star reviews, with many saying Gillian Anderson gives the performance of her career. The Sunday Times has written -

“Benedict Andrews’s direction has some powerful pluses.. Alex Baranowski’s music is a powerful accompaniment, from dreamy ambient to Southern grunge, and the production also uses well-known songs to great effect”

With the entire production being sold out in a matter of hours, there is also the exciting news that the play will be broadcast live to cinemas as part of NT Live on 16th September worldwide (with some encore screenings afterwards). For more information click here.

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Daniel Hope’s no1 album “Spheres” to be released on 2LP vinyl by Deutsche Grammophon

Very pleased that the album on which I collaborated on with virtuoso violinist Daniel Hope (two pieces Musica Universalis and Biafra) along with Max Richter, Ludovico Einaudi and Gabriel Prokofiev, is now to be released on vinyl by Deutsche Grammophon. Already reaching number 1 in the UK and number 3 in the US Classical charts on CD and downloads, it is exciting to have the release on vinyl (a medium that I absolutely love). For more information and to pre-order, click here.

The piece Biafra is taken from my award winning score to BAFTA nominated feature film McCullin. To purchase the album from iTunes, link here.

Below is Musica Universalis as performed by Daniel at the recording sessions in Berlin.

“McCullin” wins Best Feature Film Score at Music + Sound International Awards in Cannes

Very pleased that my score to last years’ twice BAFTA nominated McCullin has just won Best Feature Film Score at the Music + Sound International Awards in Cannes.

Against some brilliant competition, including Frank Ilfman’s fantastic “Big Bad Wolves”, it is a great honour to win.. especially after the recent success of the sequel, Attacking the Devil, at the recent Sheffield Documentary Festival this month.

Below is a selection of music from the film, and the whole score can be downloaded on iTunes here.

The film is available to buy on DVD and Blu-Ray, as well as ready to stream on Netflix.

“Attacking the Devil” wins top Special Jury Prize at Sheffield Documentary Festival

Very proud that the film I’m composing for, Attacking the Devil, directed by Jacqui Morris, has just won the prestigious Special Jury Prize at Sheffield Documentary Festival. The team behind the film were also behind last years’ twice BAFTA nominated McCullin including director Jacqui, editor David Fairhead and producer Steve Milne of the British Film Company.

Attacking The Devil: Harold Evans and the Last Nazi War Crime is a documentary about Harold Evans, the former editor of The Sunday Times – and his investigation into the drug thalidomide which left 10,000 babies with deformities in the 1950s and ’60s.

The film is not quite finished, with the score to be recorded with an orchestra over the coming months. I’ll be putting snippets up closer to the film release..

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