Very pleased that my score to last years’ twice BAFTA nominated McCullin has just won Best Feature Film Score at the Music + Sound International Awards in Cannes.
Against some brilliant competition, including Frank Ilfman’s fantastic “Big Bad Wolves”, it is a great honour to win.. especially after the recent success of the sequel, Attacking the Devil, at the recent Sheffield Documentary Festival this month.
Below is a selection of music from the film, and the whole score can be downloaded on iTunes here.
Posted in Arranger, Attacking The Devil, British Film Company, Cinema, Composer, Daniel Hope, Documentary, Don McCullin, Film, Jacqui Morris, Music + Sound Awards, Orchestra, Orchestrator, Soundtrack, String Arranger
Tagged Best Feature Film Score, Cannes, McCullin, Sheffield Documentary Festival
Very proud that the film I’m composing for, Attacking the Devil, directed by Jacqui Morris, has just won the prestigious Special Jury Prize at Sheffield Documentary Festival. The team behind the film were also behind last years’ twice BAFTA nominated McCullin including director Jacqui, editor David Fairhead and producer Steve Milne of the British Film Company.
Attacking The Devil: Harold Evans and the Last Nazi War Crime is a documentary about Harold Evans, the former editor of The Sunday Times – and his investigation into the drug thalidomide which left 10,000 babies with deformities in the 1950s and ’60s.
The film is not quite finished, with the score to be recorded with an orchestra over the coming months. I’ll be putting snippets up closer to the film release..
Posted in Attacking The Devil, British Film Company, Cinema, Composer, Documentary, Don McCullin, Film, Jacqui Morris, Orchestra, Orchestrator, Rankin, Soundtrack, String Arranger
Tagged David Fairhead, Harold Evans, Sheffield Documentary Festival, Steve Milne
Overjoyed to have been nominated for a Tony award for my work on the Cripple of Inishmaan which opened at The Cort Theatre, Broadway earlier this month. I was composer and sound designer on the production which was nominated for six Tony’s – including best director (Michael Grandage), best design (Christopher Oram), best lighting (Paule Constable), best actress (Sarah Greene) and best revival of a play. The awards are on 8th June.
Posted in Arranger, Composer, Cripple of Inishmaan, Daniel Radcliffe, James Bierman, Michael Grandage, Orchestrator, Sound Design, String Arranger, Theatre, Tony Awards
Tagged Best Sound Design of a Play, Tony Awards
Very happy that Kes has officially opened at the Sheffield Crucible Theatre to a brilliant response. A dance theatre adaptation directed and choreographed by Jonathan Watkins based on Barry Hines’ celebrated novel A Kestral For A Knave, I wrote and produced the hour and a half score.
The reviews have already been coming in -
“Alex Baranowski’s impressive score marries rippling, Nyman-esque piano figures with a keening, locally sourced flugelhorn…” (The Guardian) ****
“This unique production hits every note near-perfectly, bringing together an insistent and compelling new musical score, ravishing movement, puppetry and top notch performances to create a really special and fast-moving experience – even for those who turned up expecting a more traditional telling of this classic tale.” (Independent) ****
“The movements of the characters echo the freedom-constraint dichotomy of the environment.. the long-arcing strings and pizzicato percussive sounds of composer Alex Baranowski’s score play with the same elongation-punch counterpoint” (Observer) ****
“Makes your heart soar” (The Telegraph) ****
I’ll be putting some musical snippets up of the music very shortly, and I’m planning to release some of the music in the future. Feel free to join my mailing list here to be notified of its release and to receive the odd free music track.
Posted in Arranger, Composer, Dance, Jonathan Watkins, Kes, Orchestrator, Producer, Sheffield Crucible, Sound Design, Soundtrack, String Arranger, Theatre
Tagged Daniel Evans, Jonathan Watkins, Kes, Sheffield Crucible, Theatre Review
I’m presently deep into writing and rehearsals for Kes which is premiering at the Sheffield Crucible from 27th March to 5th April 2014. A mixture of dance, puppetry, physical theatre and of course music (an hour and a half of it), the production is directed and choreographed by Jonathan Watkins (who I previously collaborated with at the Royal Opera House for Ballet Black).
A re-imagining of Barry Hines’ celebrated book A Kestrel for a Knave the production tells the story of Billy Casper, a boy shaped by the contrasting worlds of an industrial working class Barnsley.. and the natural landscape around him.
For more information and to buy tickets, visit the Sheffield Crucible’s website here.
Once the show is opened, I’ll be putting a selection of the soundtrack up here on my website and to download from iTunes. To keep up to date with the release and the odd music freebie, feel free to join my email list here (it won’t be passed on to anyone, ever).
Posted in Arranger, Composer, Dance, Jonathan Watkins, Kes, Orchestra, Orchestrator, Sheffield Crucible, Sound Design, Soundtrack, String Arranger, Theatre
Tagged Barry Hines, Jonathan Watkins, Kes, Sheffield Crucible
Very happy that my score for Lurpak‘s worldwide advertising campaign “Weave Your Magic” for Wieden + Kennedy has been nominated for “Best Original Composition” in the Television Advertising category at the Music + Sounds Awards 2014. Already the winner of a Cannes Lion Silver Award, the film was directed by Scott Lyon and features the voice of Blade Runner’s Rutger Hauer. The score was recorded in Abbey Road Studio 2 with the London Metropolitan Orchestra and Choir.
Posted in Abbey Road, Arranger, Composer, Film, Lurpak, Music + Sound Awards, Orchestra, Orchestrator, Producer, Soundtrack, String Arranger, Wieden + Kennedy
Tagged Cannes Lion Silver Award, Lurpak, Music + Sound Awards, Rutger Hauer, Scott Lyon, the London Metropolitan Orchestra
Excited to announce I’m writing the original music for a very special dance theatre adaptation of Kes directed and choreographed by Jonathan Watkins opening at the Sheffield Crucible in March 2014.
Based on Barry Hines’ celebrated book “A Kestrel For A Knave” the production is being designed by Ben Stones and will feature eight professional and 20 young local dancers to combine dance, physical theatre and puppetry in this world premiere production.
I previously collaborated with Jonathan for “Together Alone” with Ballet Black at the Royal Opera House and for short film “Sofa” commissioned by Channel 4.
For more information and to buy tickets (twelve performances only!) head to the Sheffield Theatre’s website here.
Posted in Arranger, Ballet Black, Composer, Dance, Experimental, Jonathan Watkins, Kes, Orchestra, Orchestrator, Sheffield Crucible, Sound Design, Soundtrack, Theatre
Very happy that the National Theatre will be broadcasting again to cinemas Sir Nicholas Hytner’s acclaimed 2010 production of Hamlet, on which I was composer, on the day that the NT turns 50 – 22nd October 2013. The production stared Rory Kinnear in the title role and gained numerous five star reviews.
The encore screenings also include Frankenstein directed by Danny Boyle, on which I was music associate with electro duo Underworld and staring Benedict Cumberbatch, which is being shown later in October.
As bonus material leading up to the broadcast, the NT has also released the original programme in PDF form here. Below is the trailer (featuring my score) and some snippets of the soundtrack I released in 2010.
Posted in Arranger, Cinema, Cinema Trailer, Composer, Experimental, Film, Frankenstein, Hamlet, National Theatre, Nicholas Hytner, Online, Orchestra, Orchestrator, Rory Kinnear, Sound Design, Soundtrack, String Arranger, Theatre
Tagged Artistic Director National Theatre, Iskra String Quartet, National Theatre 50th birthday, Nicholas Hytner, Rory Kinnear
Proud to have collaborated again with Mercury winning band The xx for their biggest live show to date at the Hollywood Bowl with the LA Philharmonic Orchestra. The arrangements were overseen and conducted by David Campbell… based on The xx Symphony which was performed last year by the BBC Philharmonic Orchestra, live on Radio 1 for Zane Lowe.
Very pleased that the Deutsche Grammophon album Spheres by virtuoso violinist Daniel Hope, on which I collaborated with Daniel for two pieces, has gone to number one in the UK Classical Album charts. The pieces are Biafra (from my soundtrack to the BAFTA nominated feature film McCullin), and Musica Universalis which I composed especially for Daniel. Earlier in the year the album debuted at number three in the US Classical Billboard chart. The album can be downloaded from iTunes here (and my soundtrack to McCullin here). Below is a video of Daniel performing Musica Universalis during the recording session in Berlin.