Very proud to have contributed music to We Are Many (along with Brian Eno and Simon Russell), a feature documentary about the largest global protest in history preceding the Iraq war in 2003 – and how the small group of people behind it started a movement that ultimately led to the Arab Spring…
With contributions from Tony Benn, Mark Rylance, Ken Loach, Richard Branson, Damon Alburn, Noam Chomsky and a host of others, the film was many years in the making, directed by Amir Amirani.
Released in cinemas on 22nd May 2015, with a live Q+A on 21st May at Curzon Mayfair chaired by Jon Snow, the film has already received some brilliant reviews..
★★★★ “A work of beautiful rage.. provokes anger and goosebumps” (Empire)
★★★★★ “The only film I’ve ever watched where the audience started clapping halfway through” (Huffington Post)
Continuing a brilliantly creative relationship with ad agency Wieden + Kennedy (having previously contributed music to award winning campaigns including Lurpak, Tesco Christmas and most recently Finish) I’ve just completed work on composing music for a new film for Arla Skyr called “The Messenger”. Beautifully shot by Dougal Wilson through Blink, the short was filmed in Iceland and tells the story of a young messenger..
Posted in Advert, Arla Skyr, Arranger, Cinema, Composer, Film, Finish, Lurpak, Orchestra, Orchestrator, Producer, Soundtrack, Tesco, Wieden + Kennedy
I’ve just written the music to a dishwasher tablets ad. Although this one was rather fun… for the brilliantly creative folks at Wieden + Kennedy, directed by the wonderful collective of Megaforce, and music produced along with the fab SIREN, this is a Finish ad like no other.. quirky little instruments recorded at my studio, with the small orchestral elements recorded at Abbey Road with the London Metropolitan Orchestra.
Posted in Abbey Road, Advert, Arranger, Composer, Experimental, Finish, Megaforce, Orchestra, Orchestrator, Producer, SIREN, Soundtrack, String Arranger, Wieden + Kennedy
Tagged Advert, Dishwasher, Finish
I’ve been working away writing for Northern Ballet’s upcoming main stage show, based on George Orwell’s 1984. Choreographed by Jonathan Watkins (who I previously collaborated with for Kes) a brand new 90 minute score will be performed live by the Northern Ballet Sinfonia.
The production starts rehearsals in July and opens in September, initially touring to West Yorkshire Playhouse, Nottingham Theatre Royal, Manchester Palace Theatre and Sheffield Lyceum. The first four dates are available to book on NB’s website here.
Posted in 1984, Arranger, Composer, Dance, Jonathan Watkins, Kes, Northern Ballet, Orchestra, Orchestrator, Soundtrack, String Arranger, Theatre
Tagged George Orwell, Jonathan Watkins, Manchester Palace Theatre, Northern Ballet, Nottingham Theatre Royal, Sheffield Lyceum
After so many people have asked over the last couple of years since McCullin was released, I have produced a very limited run of CD’s of my music score (previously only available as a digital iTunes download). These can be purchased from my Bandcamp site by clicking here (or alternatively email via the contact page).
The music won a Music + Sound Award for Best Feature Film Score in 2014, and a version of “Biafra” featured on violinist Daniel Hope’s Spheres album for Deutsche Grammophon which reached no 1 in the UK and no 3 in the US Classical Billboard charts. It also featured on Classic FM’s Chillout album. The film was also nominated for two BAFTA’s including Best Documentary and Outstanding Debut.
The CD case is made of thick cardboard and each is numbered and signed.
The follow up film, Attacking The Devil, which I have also scored, was the recent winner of Sheffield Documentary Festival and will be released in cinemas later in 2015.
Posted in Arranger, Attacking The Devil, British Film Company, Cinema, Composer, Daniel Hope, Deutsche Grammophon, Documentary, Don McCullin, Film, Jacqui Morris, Music + Sound Awards, Orchestra, Orchestrator, Producer, Rankin, Soundtrack, Spheres, String Arranger
Very happy to have contributed music to The Departure, a short film directed by Gillian Anderson (her directorial debut) produced by the Young Vic Theatre and The Guardian. Inspired by Tennessee Williams’ A Streetcar Named Desire, this prequel sees Blanche DuBois in the days before she arrives at her sister Stella’s home (and the start of the play).
Gillian also played Blanche in the Young Vic production of Streetcar directed by Benedict Andrews in 2014, on which I was also composer.
The film is available to watch in full on the Guardian’s website here.
The music score from the production is available to listen online and download here.
Posted in A Streetcar Named Desire, Arranger, Benedict Andrews, Cinema, Composer, Film, Gillian Anderson, Jazz, National Theatre, Online, Soundtrack, The Departure, Theatre, Young Vic
Along with composer Angus MacRae, I’ve recently written the music for dance piece Dreaming in Code for award winning choreographer Tamsin Fitzgerald’s 2Faced Dance company, which is presently on a UK tour.
Tour dates up to the end of March 2015 can be found on 2Faced website here. Angus and I have released the soundtrack to download which can be found on Angus’ bandcamp page here.
The trailer was put together by the shows designer, Luke Evans.