I’ve recently completed music and sound for the Donmar Warehouse’s production of Salt, Root and Roe at London’s Trafalgar Studio 2. Directed by Hamish Pirie and written by Tim Price, the cast includes Imogen Stubbs, Anna Carteret and Anna Calder-Marshall. It has had some great reviews (read the Evening Standard one here). To find out more about the play, visit the Donmar’s website. I’ve put some of my soundtrack to the show here:
Posted in Composer, Donmar Trafalgar, Producer, Sound Design, Soundtrack, Theatre
Very happy to announce I’m composing a ballet piece commissioned by Ballet Black to be premiered at the Royal Opera House Covent Garden’s Linbury Theatre in Feb 2012, in a piece choreographed by Jonathan Watkins.
To find out more about the event, go to the Royal Opera House’s website here.
Posted in Ballet Black, Composer, Dance, Soundtrack, Theatre
I’m presently composing music for 90 min film NFA (No Fixed Abode) produced by 104 Films (who co-produced the BAFTA award winning Sex, Drugs and Rock and Roll staring Andy Serkis) it stars Patrick Baladi (The Office) and is directed by Steven Rainbow who I first collaborated with back in 2002. Find out more about the film here.
Posted in Cinema, Composer, Film, Soundtrack
I’ve just completed music and sound for Mixed Marriage showing at the Finborough Theatre in London until the end of October. Directed by Sam Yates, find out more about the production here.
Posted in Composer, Sound Design, Soundtrack, Theatre
I was composer and sound designer for Othello directed by Daniel Evans which enjoyed a completely sell out run at the Sheffield Crucible September to October 2011, featuring Dominic West and Clarke Peters as Iago and Othello – a pair previously seen together on hit American TV series “The Wire”. To find out more about the production visit the Crucible’s own website here. Some of my soundtrack to the show is available to listen below;
I’m presently working on additional music and arrangements for the Headlong / National Theatre tour of Earthquakes in London.. I composed for the original show last year, directed by Rupert Goold and written by Mike Bartlett, which enjoyed a sell out run at the NT’s Cottesloe Theatre. The tour starts in Plymouth on 22nd September and finishes at Cambridge Arts Centre on 12th November 2011. For more information visit the Headlong website here.
Posted in Arranger, Composer, Earthquakes in London, Headlong, Producer, Soundtrack, Theatre
I’ve recently completed sound and music for The Faith Machine, presently playing at the Royal Court’s Jerwood Theatre downstairs until 1st October. Working with fellow LIPA graduate director Jamie Lloyd and written by Alexi Kaye Campbell, the cast includes Hayley Atwell and Ian McDiarmid. To read more about the production and book tickets visit the Royal Court website here. Here is a selection of some of my music for the show;
Posted in Arranger, Composer, Orchestrator, Producer, Royal Court, Soundtrack, Theatre
I’ve been working again with director Anthony Banks on soundscapes for Bassett written by James Graham, showing at the Bristol Old Vic from 7 – 11 September. A collaboration with National Theatre Connections.
Posted in Bristol Old Vic, Sound Design, Soundtrack, Theatre
I’ve just started rehearsals for Rose written by Hywel John and staring Keira and Art Malik, opening at the Pleasance Courtyard this August as part of the Edinburgh Fringe festival. Directed by Abbey Wright (who I previously worked with on the NT’s Frankenstein) I’ll be composer and sound designer for the project. This is the second production I’ll be taking up to Edinburgh this year, the first being 2Faced Dance’s In The Dust.
Posted in Composer, Edinburgh Fringe, Sound Design, Soundtrack, Theatre
I’ve been commissioned to score a twenty minute music piece as part of 2Faced Dance’s In The Dust showing at the Edinburgh fringe Zoo venue this summer and going on a subsequent European tour. The piece is called Seven Point Zero – listen to and purchase the album from the music player below.
“Tamsin Fitzgerald finishes the piece based on her visit to Haiti one year after the earthquake… visually and aurally arresting and filled with bruised emotions that are passionately and tenderly performed. Added to the mix is Alex Baranowski’s sensational soundtrack – it is hard not to be deeply moved.” www.thepublicreviews.com
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Posted in Composer, Dance, Experimental, Sound Design, Soundtrack, String Arranger, Theatre
