Very pleased that my score to last years’ twice BAFTA nominated McCullin has just won Best Feature Film Score at the Music + Sound International Awards in Cannes.
Against some brilliant competition, including Frank Ilfman’s fantastic “Big Bad Wolves”, it is a great honour to win.. especially after the recent success of the sequel, Attacking the Devil, at the recent Sheffield Documentary Festival this month.
Below is a selection of music from the film, and the whole score can be downloaded on iTunes here.
The film is available to buy on DVD and Blu-Ray, as well as ready to stream on Netflix.
Posted in Arranger, Attacking The Devil, British Film Company, Cinema, Composer, Daniel Hope, Documentary, Don McCullin, Film, Jacqui Morris, Music + Sound Awards, Orchestra, Orchestrator, Soundtrack, String Arranger
Tagged Best Feature Film Score, Cannes, McCullin, Sheffield Documentary Festival
Very proud that the film I’m composing for, Attacking the Devil, directed by Jacqui Morris, has just won the prestigious Special Jury Prize at Sheffield Documentary Festival. The team behind the film were also behind last years’ twice BAFTA nominated McCullin including director Jacqui, editor David Fairhead and producer Steve Milne of the British Film Company.
Attacking The Devil: Harold Evans and the Last Nazi War Crime is a documentary about Harold Evans, the former editor of The Sunday Times – and his investigation into the drug thalidomide which left 10,000 babies with deformities in the 1950s and ’60s.
The film is not quite finished, with the score to be recorded with an orchestra over the coming months. I’ll be putting snippets up closer to the film release..
Posted in Attacking The Devil, British Film Company, Cinema, Composer, Documentary, Don McCullin, Film, Jacqui Morris, Orchestra, Orchestrator, Rankin, Soundtrack, String Arranger
Tagged David Fairhead, Harold Evans, Sheffield Documentary Festival, Steve Milne
Very pleased to have just started rehearsals for Fathers and Sons at the Donmar, directed by Lyndsey Turner (who recently won the Best Director Olivier for “Chimerica”). Written by Brian Friel, and based on the novel by Ivan Turgenev, previews start on the 5th June 2014. I am composer for the production, collaborating with Sound Designer Carolyn Dowling (who also just won an Olivier Award for her work on “Chimerica”). The designer is Rob Howell, and lighting by James Farncombe.
I’ve been collaborating again with brilliant cellist Peter Gregson (who previously performed on my scores to McCullin and Kes as well as numerous others).
For more information about the production, visit the Donmar’s site here.
Overjoyed to have been nominated for a Tony award for my work on the Cripple of Inishmaan which opened at The Cort Theatre, Broadway earlier this month. I was composer and sound designer on the production which was nominated for six Tony’s – including best director (Michael Grandage), best design (Christopher Oram), best lighting (Paule Constable), best actress (Sarah Greene) and best revival of a play. The awards are on 8th June.
Posted in Arranger, Composer, Cripple of Inishmaan, Daniel Radcliffe, James Bierman, Michael Grandage, Orchestrator, Sound Design, String Arranger, Theatre, Tony Awards
Tagged Best Sound Design of a Play, Tony Awards
Very happy that the production of The Cripple of Inishmaan directed by Michael Grandage has opened at the Cort Theatre on Broadway, New York. Following a sell out run in London’s West End last year I’m thrilled to be working on the production again, which stars Daniel Radcliffe and Sarah Greene (who was nominated for an Olivier for the role).
The reviews have been overwhelmingly positive…
“Set and costume designer Christopher Oram creates vivid images of human life as it’s lived on this limestone rock in the middle of the sea. Hearing the crashing waves and the eerie cries of seabirds and the mournful folk music supplied by composer and sound designer Alex Baranowski, it’s easy to understand how the intolerable loneliness of the place has worked its way into Billy’s bones.” (Variety)
“Judging by the reviews, designer Christopher Oram and composer Alex Baranowski could well feature alongside Grandage and Radcliffe when the Tony nominations are announced next week.” (The Guardian)
I’ve already posted snippets of the score after the London run, which also can be heard here –
Posted in Arranger, Composer, Cripple of Inishmaan, Daniel Radcliffe, James Bierman, Michael Grandage, Orchestra, Producer, Sound Design, Soundtrack, String Arranger, Theatre
Tagged #danonbway, Broadway, Cort Theatre, Cripple of Inishmaan, Daniel Radcliffe, Michael Grandage Company, New York
Very happy that Kes has officially opened at the Sheffield Crucible Theatre to a brilliant response. A dance theatre adaptation directed and choreographed by Jonathan Watkins based on Barry Hines’ celebrated novel A Kestral For A Knave, I wrote and produced the hour and a half score.
The reviews have already been coming in –
“Alex Baranowski’s impressive score marries rippling, Nyman-esque piano figures with a keening, locally sourced flugelhorn…” (The Guardian) ****
“This unique production hits every note near-perfectly, bringing together an insistent and compelling new musical score, ravishing movement, puppetry and top notch performances to create a really special and fast-moving experience – even for those who turned up expecting a more traditional telling of this classic tale.” (Independent) ****
“The movements of the characters echo the freedom-constraint dichotomy of the environment.. the long-arcing strings and pizzicato percussive sounds of composer Alex Baranowski’s score play with the same elongation-punch counterpoint” (Observer) ****
“Makes your heart soar” (The Telegraph) ****
I’ll be putting some musical snippets up of the music very shortly, and I’m planning to release some of the music in the future. Feel free to join my mailing list here to be notified of its release and to receive the odd free music track.
Posted in Arranger, Composer, Dance, Jonathan Watkins, Kes, Orchestrator, Producer, Sheffield Crucible, Sound Design, Soundtrack, String Arranger, Theatre
Tagged Daniel Evans, Jonathan Watkins, Kes, Sheffield Crucible, Theatre Review
I’m presently deep into writing and rehearsals for Kes which is premiering at the Sheffield Crucible from 27th March to 5th April 2014. A mixture of dance, puppetry, physical theatre and of course music (an hour and a half of it), the production is directed and choreographed by Jonathan Watkins (who I previously collaborated with at the Royal Opera House for Ballet Black).
A re-imagining of Barry Hines’ celebrated book A Kestrel for a Knave the production tells the story of Billy Casper, a boy shaped by the contrasting worlds of an industrial working class Barnsley.. and the natural landscape around him.
For more information and to buy tickets, visit the Sheffield Crucible’s website here.
Once the show is opened, I’ll be putting a selection of the soundtrack up here on my website and to download from iTunes. To keep up to date with the release and the odd music freebie, feel free to join my email list here (it won’t be passed on to anyone, ever).
Posted in Arranger, Composer, Dance, Jonathan Watkins, Kes, Orchestra, Orchestrator, Sheffield Crucible, Sound Design, Soundtrack, String Arranger, Theatre
Tagged Barry Hines, Jonathan Watkins, Kes, Sheffield Crucible