Overjoyed to have been nominated for a Tony award for my work on the Cripple of Inishmaan which opened at The Cort Theatre, Broadway earlier this month. I was composer and sound designer on the production which was nominated for six Tony’s – including best director (Michael Grandage), best design (Christopher Oram), best lighting (Paule Constable), best actress (Sarah Greene) and best revival of a play. The awards are on 8th June.
Posted in Arranger, Composer, Cripple of Inishmaan, Daniel Radcliffe, James Bierman, Michael Grandage, Orchestrator, Sound Design, String Arranger, Theatre, Tony Awards
Tagged Best Sound Design of a Play, Tony Awards
Very happy that the production of The Cripple of Inishmaan directed by Michael Grandage has opened at the Cort Theatre on Broadway, New York. Following a sell out run in London’s West End last year I’m thrilled to be working on the production again, which stars Daniel Radcliffe and Sarah Greene (who was nominated for an Olivier for the role).
The reviews have been overwhelmingly positive…
“Set and costume designer Christopher Oram creates vivid images of human life as it’s lived on this limestone rock in the middle of the sea. Hearing the crashing waves and the eerie cries of seabirds and the mournful folk music supplied by composer and sound designer Alex Baranowski, it’s easy to understand how the intolerable loneliness of the place has worked its way into Billy’s bones.” (Variety)
“Judging by the reviews, designer Christopher Oram and composer Alex Baranowski could well feature alongside Grandage and Radcliffe when the Tony nominations are announced next week.” (The Guardian)
I’ve already posted snippets of the score after the London run, which also can be heard here -
Posted in Arranger, Composer, Cripple of Inishmaan, Daniel Radcliffe, James Bierman, Michael Grandage, Orchestra, Producer, Sound Design, Soundtrack, String Arranger, Theatre
Tagged #danonbway, Broadway, Cort Theatre, Cripple of Inishmaan, Daniel Radcliffe, Michael Grandage Company, New York
Very happy that Kes has officially opened at the Sheffield Crucible Theatre to a brilliant response. A dance theatre adaptation directed and choreographed by Jonathan Watkins based on Barry Hines’ celebrated novel A Kestral For A Knave, I wrote and produced the hour and a half score.
The reviews have already been coming in -
“Alex Baranowski’s impressive score marries rippling, Nyman-esque piano figures with a keening, locally sourced flugelhorn…” (The Guardian) ****
“This unique production hits every note near-perfectly, bringing together an insistent and compelling new musical score, ravishing movement, puppetry and top notch performances to create a really special and fast-moving experience – even for those who turned up expecting a more traditional telling of this classic tale.” (Independent) ****
“The movements of the characters echo the freedom-constraint dichotomy of the environment.. the long-arcing strings and pizzicato percussive sounds of composer Alex Baranowski’s score play with the same elongation-punch counterpoint” (Observer) ****
“Makes your heart soar” (The Telegraph) ****
I’ll be putting some musical snippets up of the music very shortly, and I’m planning to release some of the music in the future. Feel free to join my mailing list here to be notified of its release and to receive the odd free music track.
Posted in Arranger, Composer, Dance, Jonathan Watkins, Kes, Orchestrator, Producer, Sheffield Crucible, Sound Design, Soundtrack, String Arranger, Theatre
Tagged Daniel Evans, Jonathan Watkins, Kes, Sheffield Crucible, Theatre Review
I’m presently deep into writing and rehearsals for Kes which is premiering at the Sheffield Crucible from 27th March to 5th April 2014. A mixture of dance, puppetry, physical theatre and of course music (an hour and a half of it), the production is directed and choreographed by Jonathan Watkins (who I previously collaborated with at the Royal Opera House for Ballet Black).
A re-imagining of Barry Hines’ celebrated book A Kestrel for a Knave the production tells the story of Billy Casper, a boy shaped by the contrasting worlds of an industrial working class Barnsley.. and the natural landscape around him.
For more information and to buy tickets, visit the Sheffield Crucible’s website here.
Once the show is opened, I’ll be putting a selection of the soundtrack up here on my website and to download from iTunes. To keep up to date with the release and the odd music freebie, feel free to join my email list here (it won’t be passed on to anyone, ever).
Posted in Arranger, Composer, Dance, Jonathan Watkins, Kes, Orchestra, Orchestrator, Sheffield Crucible, Sound Design, Soundtrack, String Arranger, Theatre
Tagged Barry Hines, Jonathan Watkins, Kes, Sheffield Crucible
Very happy that my score for Lurpak‘s worldwide advertising campaign “Weave Your Magic” for Wieden + Kennedy has been nominated for “Best Original Composition” in the Television Advertising category at the Music + Sounds Awards 2014. Already the winner of a Cannes Lion Silver Award, the film was directed by Scott Lyon and features the voice of Blade Runner’s Rutger Hauer. The score was recorded in Abbey Road Studio 2 with the London Metropolitan Orchestra and Choir.
Posted in Abbey Road, Arranger, Composer, Film, Lurpak, Music + Sound Awards, Orchestra, Orchestrator, Producer, Soundtrack, String Arranger, Wieden + Kennedy
Tagged Cannes Lion Silver Award, Lurpak, Music + Sound Awards, Rutger Hauer, Scott Lyon, the London Metropolitan Orchestra
Thrilled that the five star production of The Cripple of Inishmaan, written by Martin McDonagh and directed by Michael Grandage (on which I was composer & sound designer at the Noel Coward Theatre summer 2013), will be transferring to the Cort Theatre, New York in April 2013.
The production stars Daniel Radcliffe as Billy, with set and costume design by Christopher Oram and lighting design by Paule Constable.
Previews begin on 12th April with a strictly limited run until 20th July.
To find out more visit the Michael Grandage Company website here or to buy tickets click here.
Here’s a snippet of Ben Brantley’s raving review in the New York Times about the original production;
“Inishmaan” feels completely organic. Designed by Christopher Oram, Mr. Grandage’s frequent collaborator, the show has a heightened picturesqueness that is equally cozy and bleak, echoed in Alex Baranowski’s lonely penny-whistle music.
(which you can hear on my Listen page, by the way..)
Posted in Arranger, Composer, Cripple of Inishmaan, Daniel Radcliffe, James Bierman, Michael Grandage, Sound Design, String Arranger, Theatre
Tagged Christopher Oram, Daniel Radcliffe, Martin McDonagh, Michael Grandage Company, Noel Coward Theatre
Very happy that the National Theatre will be broadcasting again to cinemas Sir Nicholas Hytner’s acclaimed 2010 production of Hamlet, on which I was composer, on the day that the NT turns 50 – 22nd October 2013. The production stared Rory Kinnear in the title role and gained numerous five star reviews.
The encore screenings also include Frankenstein directed by Danny Boyle, on which I was music associate with electro duo Underworld and staring Benedict Cumberbatch, which is being shown later in October.
As bonus material leading up to the broadcast, the NT has also released the original programme in PDF form here. Below is the trailer (featuring my score) and some snippets of the soundtrack I released in 2010.
Posted in Arranger, Cinema, Cinema Trailer, Composer, Experimental, Film, Frankenstein, Hamlet, National Theatre, Nicholas Hytner, Online, Orchestra, Orchestrator, Rory Kinnear, Sound Design, Soundtrack, String Arranger, Theatre
Tagged Artistic Director National Theatre, Iskra String Quartet, National Theatre 50th birthday, Nicholas Hytner, Rory Kinnear