The production of The Merchant of Venice directed by Rupert Goold (which was previously shown at RSC Stratford in 2011) has recently been re-staged at the Almeida Theatre in London with Ian McDiarmid taking over from Patrick Stewart in the role of Shylock. I was music associate and co-orchestrator on the project, with music by Adam Cork.
Set in modern day Las Vegas, the original gained some brilliant four and five star reviews for its originality. The arrangements were recorded for the Almeida production by a twelve piece big band, with Jim Hustwit acting as Associate Musical Director.
For more information find the Almeida’s website here. The production opens officially on 15th December.
Posted in Almeida, Arranger, Earthquakes in London, Headlong, Music Associate, Orchestrator, Rupert Goold, Sound Design, Soundtrack, Theatre
Tagged Almeida Theatre, Ian McDiarmid, Merchant of Venice, music associate, Patrick Stewart, Rupert Goold
Very pleased to be collaborating again with director / choreographer Jonathan Watkins (after the success of Kes earlier in the year) on a new ballet based on George Orwell’s 1984. Staged by Northern Ballet, with a live 30 piece orchestra, the piece will open in Autumn 2015.
I’ll be putting up more information closer to the time. For more information about Northern Ballet, visit their website here.
Posted in 1984, Arranger, Composer, Dance, Experimental, Jonathan Watkins, Kes, Northern Ballet, Orchestra, Orchestrator, Producer, Sheffield Crucible, Sound Design, Soundtrack, String Arranger, Theatre, Uncategorized, xx symphony
Very pleased to be working again with the brilliant Sam Yates (who I previously collaborated on for The EL Train at Hoxton Hall, Cornelius in New York) on East Is East for the second season of Jamie Lloyd’s Trafalgar Transformed season. I’m composer and sound designer on the production, designed by Tom Scutt and Lighting by Richard Howell.
It stars Jane Horrocks and Ayub Khan Din, who also wrote the play, originally shown at the Royal Court before becoming an iconic film.
The production opens on 4th October 2014 and runs until 3rd January 2015.
From today the Young Vic Theatre will be broadcasting their production of A Streetcar Named Desire as part of NT Live, directed by Benedict Andrews. I was composer on the production that opened in July. There will be numerous encore screenings worldwide over the coming months… for more information on screenings, visit the NT Live website here.
The production stars Gillian Anderson, Vanessa Kirby and Ben Foster, and received a host of brilliant five star reviews when it opened in July.
The soundtrack of my original jazz and orchestral score can be downloaded here. It features the brilliant talents of Mark Kavuma, Ruben Fox, Giacomo Smith and Jason Simpson.
I’ve also put up a free download from the score on my Facebook page, so feel free to go and give it a “like” and download.
[EDIT] After a lot of requests I’ve just added a tracklisting of the other songs used in the show on my blog here.
Posted in A Streetcar Named Desire, Arranger, Benedict Andrews, Cinema, Cinema Trailer, Composer, Film, Gillian Anderson, Jazz, National Theatre, Nicholas Hytner, NT Live, Orchestra, Orchestrator, Sound Design, Soundtrack, Theatre, Young Vic
I’ve just released an album consisting of much of my score heard in A Streetcar Named Desire from the sold out Young Vic production. It can be listened to online below or downloaded from Bandcamp here.
Featuring Mark Kavuma (Trumpet), Ruben Fox (Tenor Sax), Giacomo Smith (Clarinet), Jason Simpson (Upright Bass) and myself on Piano, Mellotron, Moog and Hammond.
The Young Vic / National Theatre have also just released the trailer for the forthcoming NT Live broadcast of Streetcar on September 16th. The music used is from my piece “Number Six Thirty-Two” (the number of Stella and Stanley’s apartment in Elysian Fields New Orleans).
Posted in A Streetcar Named Desire, Benedict Andrews, Cinema, Cinema Trailer, Composer, Film, Gillian Anderson, Jazz, National Theatre, NT Live, Orchestrator, Producer, Sound Design, Soundtrack, Theatre, Young Vic
Tagged "Music from A Streetcar Named Desire", Clarinet, Jazz, Mellotron, Tenor Sax, Trumpet
Very pleased to have just started rehearsals for Hamlet at the Manchester Royal Exchange directed by Sarah Frankcom, with Maxine Peake playing the iconic role of Hamlet. I last collaborated with Sarah and Maxine on the hugely successful Masque of Anarchy at the Manchester International Festival last year.
For more information, visit the Royal Exchange website here.
Posted in Arranger, Composer, Hamlet, Manchester International Festival, Manchester Royal Exchange, Masque of Anarchy, Maxine Peake, Sound Design, Soundtrack, String Arranger, Theatre
Tagged Hamlet, Sarah Frankcom
Thrilled that the production of A Streetcar Named Desire, on which I was composer, has opened to some brilliant reviews. Directed by Benedict Andrews, and staring Gillian Anderson, the show opened this week at the Young Vic after previews last week.
Working alongside sound designer Paul Arditi, the music is a mixture of dark jazz, orchestral electronics and moog-infused Polkas (along with an eclectic soundtrack of rock music). I’ll be putting an album of the score up very shortly, which includes the brilliant talents of Mark Kavuma (trumpet), Ruben Fox (saxophone), Giacomo Smith (clarinet), Jason Simpson (upright bass) and myself on piano, hammond, moog and percussion.
It was recorded and mixed at my own studio in London. Set in the round with an almost constantly spinning revolve, reviewers have commented on the raw, visceral quality of the production. The Telegraph, Observer and the Evening Standard gave five star reviews, with many saying Gillian Anderson gives the performance of her career. The Sunday Times has written -
“Benedict Andrews’s direction has some powerful pluses.. Alex Baranowski’s music is a powerful accompaniment, from dreamy ambient to Southern grunge, and the production also uses well-known songs to great effect”
With the entire production being sold out in a matter of hours, there is also the exciting news that the play will be broadcast live to cinemas as part of NT Live on 16th September worldwide (with some encore screenings afterwards). For more information click here.
Posted in A Streetcar Named Desire, Arranger, Benedict Andrews, Cinema, Composer, Experimental, Gillian Anderson, Jazz, Orchestrator, Producer, Sound Design, Soundtrack, String Arranger, Theatre, Young Vic
Tagged Evening Standard, Five Star Review, Jazz, Moog, Observer, Orchestral Electronics, Sunday Times, Telegraph