I’ve just released an album consisting of much of my score heard in A Streetcar Named Desire from the sold out Young Vic production. It can be listened to online below or downloaded from Bandcamp here.
Featuring Mark Kavuma (Trumpet), Ruben Fox (Tenor Sax), Giacomo Smith (Clarinet), Jason Simpson (Upright Bass) and myself on Piano, Mellotron, Moog and Hammond.
The Young Vic / National Theatre have also just released the trailer for the forthcoming NT Live broadcast of Streetcar on September 16th. The music used is from my piece “Number Six Thirty-Two” (the number of Stella and Stanley’s apartment in Elysian Fields New Orleans).
Posted in A Streetcar Named Desire, Benedict Andrews, Cinema, Cinema Trailer, Composer, Film, Gillian Anderson, Jazz, National Theatre, NT Live, Orchestrator, Producer, Sound Design, Soundtrack, Theatre, Young Vic
Tagged "Music from A Streetcar Named Desire", Clarinet, Jazz, Mellotron, Tenor Sax, Trumpet
Very pleased to have just started rehearsals for Hamlet at the Manchester Royal Exchange directed by Sarah Frankcom, with Maxine Peake playing the iconic role of Hamlet. I last collaborated with Sarah and Maxine on the hugely successful Masque of Anarchy at the Manchester International Festival last year.
For more information, visit the Royal Exchange website here.
Posted in Arranger, Composer, Hamlet, Manchester International Festival, Manchester Royal Exchange, Masque of Anarchy, Maxine Peake, Sound Design, Soundtrack, String Arranger, Theatre
Tagged Hamlet, Sarah Frankcom
Thrilled that the production of A Streetcar Named Desire, on which I was composer, has opened to some brilliant reviews. Directed by Benedict Andrews, and staring Gillian Anderson, the show opened this week at the Young Vic after previews last week.
Working alongside sound designer Paul Arditi, the music is a mixture of dark jazz, orchestral electronics and moog-infused Polkas (along with an eclectic soundtrack of rock music). I’ll be putting an album of the score up very shortly, which includes the brilliant talents of Mark Kavuma (trumpet), Ruben Fox (saxophone), Giacomo Smith (clarinet), Jason Simpson (upright bass) and myself on piano, hammond, moog and percussion.
It was recorded and mixed at my own studio in London. Set in the round with an almost constantly spinning revolve, reviewers have commented on the raw, visceral quality of the production. The Telegraph, Observer and the Evening Standard gave five star reviews, with many saying Gillian Anderson gives the performance of her career. The Sunday Times has written -
“Benedict Andrews’s direction has some powerful pluses.. Alex Baranowski’s music is a powerful accompaniment, from dreamy ambient to Southern grunge, and the production also uses well-known songs to great effect”
With the entire production being sold out in a matter of hours, there is also the exciting news that the play will be broadcast live to cinemas as part of NT Live on 16th September worldwide (with some encore screenings afterwards). For more information click here.
Posted in A Streetcar Named Desire, Arranger, Benedict Andrews, Cinema, Composer, Experimental, Gillian Anderson, Jazz, Orchestrator, Producer, Sound Design, Soundtrack, String Arranger, Theatre, Young Vic
Tagged Evening Standard, Five Star Review, Jazz, Moog, Observer, Orchestral Electronics, Sunday Times, Telegraph
Pleased to announce I’ll be the composer for A Streetcar Named Desire at the Young Vic in July 2014 directed by Benedict Andrews, staring Gillian Anderson, Vanessa Kirby and Ben Foster. Excited to be collaborating again with sound designer Paul Arditi on the iconic play by Tennessee Williams. Lighting is by Jon Clark and design by Magda Willi.
The show is already sold out (apparently one of the fastest selling shows in the Young Vic’s history) but day seats and returns will be available on the Young Vic’s website here.
Very pleased to have just started rehearsals for Fathers and Sons at the Donmar, directed by Lyndsey Turner (who recently won the Best Director Olivier for “Chimerica”). Written by Brian Friel, and based on the novel by Ivan Turgenev, previews start on the 5th June 2014. I am composer for the production, collaborating with Sound Designer Carolyn Dowling (who also just won an Olivier Award for her work on “Chimerica”). The designer is Rob Howell, and lighting by James Farncombe.
I’ve been collaborating again with brilliant cellist Peter Gregson (who previously performed on my scores to McCullin and Kes as well as numerous others).
For more information about the production, visit the Donmar’s site here.
Overjoyed to have been nominated for a Tony award for my work on the Cripple of Inishmaan which opened at The Cort Theatre, Broadway earlier this month. I was composer and sound designer on the production which was nominated for six Tony’s – including best director (Michael Grandage), best design (Christopher Oram), best lighting (Paule Constable), best actress (Sarah Greene) and best revival of a play. The awards are on 8th June.
Posted in Arranger, Composer, Cripple of Inishmaan, Daniel Radcliffe, James Bierman, Michael Grandage, Orchestrator, Sound Design, String Arranger, Theatre, Tony Awards
Tagged Best Sound Design of a Play, Tony Awards
Very happy that the production of The Cripple of Inishmaan directed by Michael Grandage has opened at the Cort Theatre on Broadway, New York. Following a sell out run in London’s West End last year I’m thrilled to be working on the production again, which stars Daniel Radcliffe and Sarah Greene (who was nominated for an Olivier for the role).
The reviews have been overwhelmingly positive…
“Set and costume designer Christopher Oram creates vivid images of human life as it’s lived on this limestone rock in the middle of the sea. Hearing the crashing waves and the eerie cries of seabirds and the mournful folk music supplied by composer and sound designer Alex Baranowski, it’s easy to understand how the intolerable loneliness of the place has worked its way into Billy’s bones.” (Variety)
“Judging by the reviews, designer Christopher Oram and composer Alex Baranowski could well feature alongside Grandage and Radcliffe when the Tony nominations are announced next week.” (The Guardian)
I’ve already posted snippets of the score after the London run, which also can be heard here -
Posted in Arranger, Composer, Cripple of Inishmaan, Daniel Radcliffe, James Bierman, Michael Grandage, Orchestra, Producer, Sound Design, Soundtrack, String Arranger, Theatre
Tagged #danonbway, Broadway, Cort Theatre, Cripple of Inishmaan, Daniel Radcliffe, Michael Grandage Company, New York
Very happy that Kes has officially opened at the Sheffield Crucible Theatre to a brilliant response. A dance theatre adaptation directed and choreographed by Jonathan Watkins based on Barry Hines’ celebrated novel A Kestral For A Knave, I wrote and produced the hour and a half score.
The reviews have already been coming in -
“Alex Baranowski’s impressive score marries rippling, Nyman-esque piano figures with a keening, locally sourced flugelhorn…” (The Guardian) ****
“This unique production hits every note near-perfectly, bringing together an insistent and compelling new musical score, ravishing movement, puppetry and top notch performances to create a really special and fast-moving experience – even for those who turned up expecting a more traditional telling of this classic tale.” (Independent) ****
“The movements of the characters echo the freedom-constraint dichotomy of the environment.. the long-arcing strings and pizzicato percussive sounds of composer Alex Baranowski’s score play with the same elongation-punch counterpoint” (Observer) ****
“Makes your heart soar” (The Telegraph) ****
I’ll be putting some musical snippets up of the music very shortly, and I’m planning to release some of the music in the future. Feel free to join my mailing list here to be notified of its release and to receive the odd free music track.
Posted in Arranger, Composer, Dance, Jonathan Watkins, Kes, Orchestrator, Producer, Sheffield Crucible, Sound Design, Soundtrack, String Arranger, Theatre
Tagged Daniel Evans, Jonathan Watkins, Kes, Sheffield Crucible, Theatre Review
Thrilled to be working again with Nick Bagnall composing for The Last Days of Troy, written by poet and novelist Simon Armitage – opening at the Manchester Royal Exchange Theatre on 8th May 2014 and transferring to The Globe in London June 2014. The cast includes Lily Cole as Helen of Troy.
I last collaborated with Nick Bagnall on the epic Henry VI trilogy last year at The Globe; and Betrayal at the Sheffield Crucible with John Simm.
For more information about the production visit the RET’s website here.
Posted in Arranger, Composer, Henry VI, Last Days Of Troy, Lily Cole, Manchester Royal Exchange, Nick Bagnall, Shakespeare's Globe, Sheffield Crucible, Soundtrack, Theatre
Tagged Last Days of Troy, Lily Cole, Manchester, RET, The Globe
I’m presently deep into writing and rehearsals for Kes which is premiering at the Sheffield Crucible from 27th March to 5th April 2014. A mixture of dance, puppetry, physical theatre and of course music (an hour and a half of it), the production is directed and choreographed by Jonathan Watkins (who I previously collaborated with at the Royal Opera House for Ballet Black).
A re-imagining of Barry Hines’ celebrated book A Kestrel for a Knave the production tells the story of Billy Casper, a boy shaped by the contrasting worlds of an industrial working class Barnsley.. and the natural landscape around him.
For more information and to buy tickets, visit the Sheffield Crucible’s website here.
Once the show is opened, I’ll be putting a selection of the soundtrack up here on my website and to download from iTunes. To keep up to date with the release and the odd music freebie, feel free to join my email list here (it won’t be passed on to anyone, ever).
Posted in Arranger, Composer, Dance, Jonathan Watkins, Kes, Orchestra, Orchestrator, Sheffield Crucible, Sound Design, Soundtrack, String Arranger, Theatre
Tagged Barry Hines, Jonathan Watkins, Kes, Sheffield Crucible