I’m very happy to be working with director Jo Davies on her production of Twelfth Night at the Royal Exchange Theatre in Manchester. An inspired cast with brilliant live band including award winning folk violinist / vocalist Kate Young, lap guitarist Joe Gravil, Accordion player / MD Tarek Merchant and Euphonium player Jill Myers.
For more information on the show visit the Exchange’s website here.
I’ve recently been working again with long term collaborator director Sam Yates on radio drama Ecco playing on BBC Radio 4 Monday 6th March 2017. A science fiction radio drama staring Haley Atwell and written by Chris Harrald, it tells the story of a neuroscientist who triggers a new digital consciousness into being..
Below is a taster of my music score..
The drama will be available on the BBC’s iPlayer after broadcast here.
Posted in Arranger, BBC Radio 4, Composer, Cornelius, Cymbeline, Ecco, Experimental, Haley Atwell, Producer, Sam Yates, Soundtrack, String Arranger, The EL Train, The Hope Rooms
Over the course of the last year or so I’ve been working again with brilliant director Jacqui Morris – with whom I’ve collaborated previously on twice BAFTA nominated (and award winning score) McCullin and the multi award winning / Grierson nominated Attacking The Devil. This film tells the story of acclaimed ballet dancer Rudolph Nureyev, told beautifully and uniquely – Nureyev is on its way into the final stages of production – with cinema release slated for 2017.
Posted in Arranger, British Film Company, Cinema, Composer, Dance, Documentary, Don McCullin, Experimental, Film, Harold Evans, Jacqui Morris, Music + Sound Awards, Nureyev, Orchestrator, Producer, Soundtrack, String Arranger
I’ve just written the music to a dishwasher tablets ad. Although this one was rather fun… for the brilliantly creative folks at Wieden + Kennedy, directed by the wonderful collective of Megaforce, and music produced along with the fab SIREN, this is a Finish ad like no other.. quirky little instruments recorded at my studio, with the small orchestral elements recorded at Abbey Road with the London Metropolitan Orchestra.
Posted in Abbey Road, Advert, Arranger, Composer, Experimental, Finish, Megaforce, Orchestra, Orchestrator, Producer, SIREN, Soundtrack, String Arranger, Wieden + Kennedy
Tagged Advert, Dishwasher, Finish
Along with composer Angus MacRae, I’ve recently written the music for dance piece Dreaming in Code for award winning choreographer Tamsin Fitzgerald’s 2Faced Dance company, which is presently on a UK tour.
Tour dates up to the end of March 2015 can be found on 2Faced website here. Angus and I have released the soundtrack to download which can be found on Angus’ bandcamp page here.
The trailer was put together by the shows designer, Luke Evans.
Very pleased to be collaborating again with director / choreographer Jonathan Watkins (after the success of Kes earlier in the year) on a new ballet based on George Orwell’s 1984. Staged by Northern Ballet, with a live 30 piece orchestra, the piece will open in Autumn 2015.
I’ll be putting up more information closer to the time. For more information about Northern Ballet, visit their website here.
Posted in 1984, Arranger, Composer, Dance, Experimental, Jonathan Watkins, Kes, Northern Ballet, Orchestra, Orchestrator, Producer, Sheffield Crucible, Sound Design, Soundtrack, String Arranger, Theatre, Uncategorized, xx symphony
Thrilled that the production of A Streetcar Named Desire, on which I was composer, has opened to some brilliant reviews. Directed by Benedict Andrews, and staring Gillian Anderson, the show opened this week at the Young Vic after previews last week.
Working alongside sound designer Paul Arditi, the music is a mixture of dark jazz, orchestral electronics and moog-infused Polkas (along with an eclectic soundtrack of rock music). I’ll be putting an album of the score up very shortly, which includes the brilliant talents of Mark Kavuma (trumpet), Ruben Fox (saxophone), Giacomo Smith (clarinet), Jason Simpson (upright bass) and myself on piano, hammond, moog and percussion.
It was recorded and mixed at my own studio in London. Set in the round with an almost constantly spinning revolve, reviewers have commented on the raw, visceral quality of the production. The Telegraph, Observer and the Evening Standard gave five star reviews, with many saying Gillian Anderson gives the performance of her career. The Sunday Times has written –
“Benedict Andrews’s direction has some powerful pluses.. Alex Baranowski’s music is a powerful accompaniment, from dreamy ambient to Southern grunge, and the production also uses well-known songs to great effect”
With the entire production being sold out in a matter of hours, there is also the exciting news that the play will be broadcast live to cinemas as part of NT Live on 16th September worldwide (with some encore screenings afterwards). For more information click here.
Posted in A Streetcar Named Desire, Arranger, Benedict Andrews, Cinema, Composer, Experimental, Gillian Anderson, Jazz, Orchestrator, Producer, Sound Design, Soundtrack, String Arranger, Theatre, Young Vic
Tagged Evening Standard, Five Star Review, Jazz, Moog, Observer, Orchestral Electronics, Sunday Times, Telegraph