I’ve recently been working with Grammy winning Clean Bandit on a new orchestral arrangement of their song Rather Be. Recorded at British Grove Studio with the London Metropolitan Orchestra, the piece is being used by Marks & Spencer for their Christmas advertising campaign, with the full three minute version being released at some point in the future. I worked with the brilliant Native Music for RKCR/Y&R.
Very proud to have contributed to the new album by the Iskra String Quartet entitled Iskra with new composition “For Then”. I’ve known and collaborated with the quartet for a number of years having featured on a number of my projects including Hamlet at the National Theatre and the BAFTA nominated McCullin – so was very happy to be asked to compose a new piece for the album. Other composers featured on the album include Jóhann Jóhannsson, David Julyan and another long time collaborator, cellist and composer Peter Gregson.
The album was launched at the Union Chapel in Islington and I even made a rare live appearance performing “For Then” with the quartet on the piano which was a joy.
Iskra has been released on 1631 Recordings and be purchased from here.
Presently in rehearsals working on the first of two projects with director Sam Yates this month; Cymbeline at the beautiful Sam Wanamaker Playhouse, an incredible indoor candlelit space part of Shakespeare’s Globe on the Southbank in London. The music will be performed live by cello trio and duduk which I’m very excited about…
The show runs between 2nd December 2015 and 21st April 2016. For more information visit the Globe’s website here.
Posted in Arranger, Composer, Cymbeline, Orchestra, Orchestrator, Sam Wanamaker Playhouse, Sam Yates, Shakespeare's Globe, String Arranger, The Globe, Theatre
Very happy that the production of 1984 performed by Northern Ballet, on which I was composer, has opened to some brilliant reviews. Choreographed by Jonathan Watkins the ballet’s 100 minute score is performed live by the 30 piece Northern Ballet Sinfonia.
“From the opening sequence, Jonathan Watkins’ deft choreography coupled with Alex Baranowski’s score conjures a powerful sense of isolation in the anti-hero Winston Smith. The pairing reunites the creative team responsible for the recent dance theatre adaption of another classic, Kes, at Sheffield, last year with similarly successful results.” The Independant
“The show’s richest source of imaginative texture is Alex Baranowski’s ravishing score, mournful and agitated by turns and played live by the Northern Ballet Sinfonia” The Times
“Watkins has the luxury of a fine commissioned score by Alex Baranowski, who reinforces the totalitarian mindset with anxious strings and metronomic percussion. His excruciating discords as Winston inches upstage towards the strobing screen filled with rats guarantee a chilling climax” Financial Times
“The choreographer is aided by Alex Baranowski’s score, where acerbic, almost Nymanesque staccato rhythms punctuate more romantic, idealistic music for the love scenes” Dancing Times
To book tickets for the tour or to find out more about the production, visit Northern Ballet’s website here.
It has also recently been announced that the BBC will be filming the Manchester leg of the production to put on it’s “The Space” website along with some behind the scenes videos. More information can be found here and I’ll post with more information soon.
Posted in 1984, Arranger, BBC, Composer, Dance, Film, Jonathan Watkins, Kes, NT Live, Online, Orchestra, Orchestrator, Producer, Soundtrack, String Arranger, Theatre
Work is nearly complete composing the score for 1984 which will be performed by Northern Ballet and directed & choreographed by Jonathan Watkins. The live 90 minute score will be performed by the 30 piece Northern Ballet Sinfonia.
Rehearsals start in July with the first performance at Northern Ballet’s brilliant home in Leeds in September, with a subsequent UK tour including Sadler’s Wells in London going into 2016.
For more information or to book tickets, visit Northern Ballet’s website here.
Posted in 1984, Arranger, Composer, Dance, Jonathan Watkins, Kes, Northern Ballet, Orchestra, Orchestrator, Producer, Soundtrack, String Arranger, Theatre
Tagged Jonathan Watkins, Northern Ballet, Northern Ballet Sinfonia
Very proud to have contributed music to We Are Many (along with Brian Eno and Simon Russell), a feature documentary about the largest global protest in history preceding the Iraq war in 2003 – and how the small group of people behind it started a movement that ultimately led to the Arab Spring…
With contributions from Tony Benn, Mark Rylance, Ken Loach, Richard Branson, Damon Alburn, Noam Chomsky and a host of others, the film was many years in the making, directed by Amir Amirani.
Released in cinemas on 22nd May 2015, with a live Q+A on 21st May at Curzon Mayfair chaired by Jon Snow, the film has already received some brilliant reviews..
★★★★ “A work of beautiful rage.. provokes anger and goosebumps” (Empire)
★★★★★ “The only film I’ve ever watched where the audience started clapping halfway through” (Huffington Post)
I’ve just written the music to a dishwasher tablets ad. Although this one was rather fun… for the brilliantly creative folks at Wieden + Kennedy, directed by the wonderful collective of Megaforce, and music produced along with the fab SIREN, this is a Finish ad like no other.. quirky little instruments recorded at my studio, with the small orchestral elements recorded at Abbey Road with the London Metropolitan Orchestra.
Posted in Abbey Road, Advert, Arranger, Composer, Experimental, Finish, Megaforce, Orchestra, Orchestrator, Producer, SIREN, Soundtrack, String Arranger, Wieden + Kennedy
Tagged Advert, Dishwasher, Finish