Listen / Watch

(all music © Alex Baranowski 2016)

Jazz score to the sold out A Streetcar Named Desire (Young Vic, London & St Ann’s Warehouse, New York) directed by Benedict Andrews and staring Gillian Anderson. Broadcast live to cinemas as part of NT Live.

The xx Symphony (The xx / BBC Philharmonic Orchestra)

Working with Mercury winning band The xx and the BBC Philharmonic Orchestra on an orchestral collaboration with the band; broadcast live on Radio 1 / Red Button. It went on to be performed at the Hollywood Bowl.

Excerpts from Alex’s score to twice BAFTA nominated feature film McCullin

Album available to download in full from iTunes store here

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Musica Universalis performed by Daniel Hope (Violin), Jacques Ammon (Piano), Deutsches Kammerorchester Berlin (Deutsche Grammophon)

The Hope Rooms directed by Sam Yates (staring Andrew Scott and Ciarán Hinds) excerpts of the score –

Tony nominated score/sound design from The Cripple of Inishmaan (Noel Coward, London and Cort Theatre, Broadway)

From the play written by Martin McDonagh, directed by Michael Grandage with Daniel Radcliffe as Billy. Nominated for six Tony awards April 2014.

Excerpts from Kes, a dance theatre adaptation directed and choreographed by Jonathan Watkins at the Sheffield Crucible. An hour and a half of score.

The EL Train (Hoxton Hall, dir Sam Yates & Ruth Wilson)

Featuring 7 piece jazz band and choir led by vocalist Nicola Hughes. 

Lurpak “The Cook” (Wieden + Kennedy)

Featuring the London Metropolitan Orchestra and Choir recorded in Abbey Road Studio 2 in March 2013. Composed and Arranged by Alex Baranowski.

Frankenstein (Royal National Theatre, directed by Danny Boyle)

Olivier nominated for Best Sound Design

Alex was Music Associate on the production working with electro duo Underworld on the music for the sold out show & cinema broadcasts. Also sound designer for the trailer below..

Hamlet (Royal National Theatre, directed by Sir Nicholas Hytner)

Alex was composer on the sold out production that was performed in both the Oliver and Lytellton Theatres, a European tour and broadcast live to cinemas.

“The score of Hamlet, by Alex Baranowski is distinctly different to what we’re used to hearing in a theatre. With a more cinematic sound, Baranowski’s music is not limited to scene change, it represents characters in their entrance, and it underscores – even when sometimes we don’t notice it – to add spookiness to the piece. It works well in the theatrical scenes to accompany Hamlet’s play, and worked particularly well when characters were in motion. Baranowski’s tension filled score kept the audience on the edge of their seats and was well suited toHamlet, both the character and the play.”

 

Guitar and mic

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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